Archive for April, 2010

Omni’s throne redux

Tuesday, April 13th, 2010

To add to Zyl’s side-by-side for Divine (w/ Jaalin), THAT, and Aroduc, here’s a shortlist of other episodics that I know about:

  • Sea Slug Team – small set, but not afraid of long series like FMA. I thought Kabitzin wasn’t known for episodics, but there was a quiet revolution there recently. Probably somone noticed the ad revenue that massive episodics bring.
  • METANORN – the blog I thought was called “Meta Horn” (Kokidokom is having issues in recent days, just come back later).
  • Hanners – another lonely blogger, but if he grabs it, he’s pretty reliable.

Observe how everybody and their mother is blogging DRRR.

Interestingly enough, there’s no leading episodic in the empire of Dasaku, or did I miss it? And yet, I never heard of any monetary problems there.

UPDATE: Zyl e-mailed that he only included BRWs (Badass Raw Watchers), thus THAT fell out. That’s an interesting distinction.

PSgels on Banner II

Monday, April 12th, 2010

The second in succession for the Omni’s crown proclaims boldly:

The third Seikai series more than surpasses its predecessors.

And that is because:

It doesn’t just take the best of the two prequels: the dialogue of Monshou and the combat of Senki. It also introduces a complete new layer: diplomacy. A huge part of this season is about the two lead characters, in charge of a planet full of prisoners that’s about to descend into a civil war. The planet’s political system consists out of [blah blah blah].

Dunno if this qualifies Banner II to be “courageously different from its predecessors”, but yes. It is different. It actually is the reason why I did not watch it: I am afraid it would spoil the impression from the Banner.

The dialogue of Seikai no Monshou and Senki was already really good, but Senki II’s dialogue turns out even better. The creators put so much meaning in just about every sentence. Every sentence is spot-on, whether it’s about the characters in the series, or the politics. The scenario itself is also full of twists and turns that yet make full sense when put into the story itself.

Well…

Totalli Momotato

Monday, April 12th, 2010

OK, I totalli lied to you: instead of selecting just 4 best shows of the year, he did a typical “what I watched” list. Not very momotatesque. Still, he is on the yearly schedule, albeit at a random date. Watched Kimikiss twice? Duly noted.

Twitter: Ruined anime blogging. More posts, less tweets. Please.

Is this why he has protected tweets? Jerk.

The strange death of #animeblogger

Sunday, April 11th, 2010

Nova remarked in comments (ahem!):

Well, the thing about IRC is that I just haven’t found anything feasible to replace it. It still remains as the most powerful means of chatting, and for myself also works as a feed aggregator thanks to some nice smart scripts. All in all modern chat clients tend to be stripped of much of IRC’s functionality to make them appear simple to use. You don’t need to care about networks and such, or type in commands. In the process the developers of these programs use the excuse of “social networking” to incorporate features that in fact limit the social usefulness of their programs – pretty much with all these IM programs, GTalk and whatnot you need to already know at least some of the people you are going to chat with. It’s like an IRC network where each channel is password-protected.

I tried GTalk and a bunch of other IM services, Facebook and whatnot. And I found that in terms of usability and function they are more obsolete than the ancient IRC protocol they’re supposed to replace.

He’s right about the superiority of IRC when the problem of communication if approached as he does it. However, let me build a flawed and opaque analogy here: the Space Shuttle. STS is the largest launcher in the world, and the Shuttle can carry biggest payloads and biggest crew. It also has unique capabilities such as cargo return. And it is about to be terminated without replacement. Some people look at it like Nova at IRC; they rue the loss of function. Others point out the enormous costs. IRC costs a lot too, just like any chat: the chatter must pay constant attention to the conversation. But I have better things to do with my life. Even blogging, for example. So, IRC is the best chat, but someone might want to jettison the chat concept completely, in favour of other communication modes. Maybe even not electronically mediated ones, you know?

As for having an open entry, it’s not unique to IRC. The noise and the need to admit new sources into the channel are in constant conflict. I pretty much had to go the opposite way: read a semi-stable set of anime blogs that hopefuly cover what I possibly want, do not pump too much garbage, and gradually propagate new sources. It more or less works these days, although I have to say the link density is rather unsatisfactory overall (with some bright spots).

BTW, #animeblogger is linked off the navigation section of all AB blogs. But many other channels remain somewhat or entirely secret. E.g. I know that Evirus ranges much further than #raspberryheaven and Omo rubs with Moy somewhere, but I never was able to figure it out. Evidently, many IRC users consider it as the exact opposite of the open model that Nova espoused above. For them a key-protected channel would be a feature.

WAH on Hanamaru Youchien

Sunday, April 11th, 2010

The article at Mistakes of Youth touches upon various points in a refreshing way, with about half dedicated to the grown-up angle.

Kodomo no Jikan touches upon these sorts of things as well, and so does Evangelion. I understand that is a weird pair of names to drop in an article about Hanamaru Youchien, but the lives of the adults in those works also provide a nice amount of spice to a story that mainly focuses around people who haven’t yet reached puberty, or are going through it. It’s not something seen very often, at least in my experience, so that’s why I appreciate it.

He really should be seeing Dai-Guard, then. It is the best at it, period (although there is a line-up of shows set in adult world that I did not watch, like REC, NANA, Hataraku Man and so on, but I am certain that Dai-Guard would hold up well against them, despite playing on the field of their core competency!).

Pant.what?!

Sunday, April 11th, 2010

I just do not understand how something like pant.su can come into existence (NSFW). I thought it was agreed that .su TLD were to shut down 10 years ago, and the allocation of new subdomains definitely wasn’t open. And yet, here it is, a new domain created in January of 2008.

I went to check www.ipmce.su, and it’s still up, possibly still running on the SPARCstation that I installed back in 1995. “Last updated March 26, 1998″. What a facepalm.

Mikot… er, Setsunaism on 2010 Spring

Sunday, April 11th, 2010

I thought about talking about various shows while taking off the initial impressions at Setsunaism, but on second thought, it’s not like I even watch any of them. I am having too much fun playing Toradora Portable instead (did you know that the bad end is Yuri end in it?). So just read the whole thing if you care. The important part is that Fang tries to put up some justifications at least, and this:

Exaggerated character designs and hermaphrodites are the least of Heroman’s problems. I think this show is stupid. It’s really stupid. Stupid stupid stupid. Heroman is stupid. Joey Jones is stupid. The evil cockroach aliens are stupid. The birds living in that afro are stupid.

On a different note, read Snark’s post. The captions are hilarious and he makes a good argument (even though I totally disagree because Heroman is stupid).

The idea that it’s ok to disagree is important.

Lawson on K-ON2

Saturday, April 10th, 2010

Hop Step Jump:

I can’t even begin to describe how delighted I am that K-ON! is back, and (supposedly) for two cours, at that.

THIS.

By the way:

I never expected K-ON! to grow into a franchise. I think it goes without saying that, until now, Kyoto Animation’s output has mostly been defined by Haruhi and their various VisualArt’s/Key adaptations. Initially, I assumed K-ON! to be little more than a four month long part time job taken to help pay the rent. Oops. Of course, it may very well be that K-ON! is the very model of a modern unexpected hit to which all parties directly involved were just as surprised as I was.

I think the way KyotoAni was surprised and (initially) underbudgeted is very obvious from the clumsy way they retrofitted Azusa into the OP midway.

Watching a bunch of girls sitting around drinking tea, eating cake and being moe… or rowing boats… or having a nice soak in the bath at the end of the day… perhaps there are plenty of anime fans out there who really do like this sort of thing after all?

Pfft. I am firmly on the side of GA: Geijutsuka Art Design Class.

Next-generation Tsundere

Saturday, April 10th, 2010

Via Nova comes a pic set for a new J.C. Staff show (+), apparently called “次世代ツンデレ” 【じせだい・つんでれ】 or “Next-generation Tsundere” (*). Nova wastes no time before letting J.C.Staff have it for the obvious similarities with Taiga, but you know what? I’m fine with it. I am playing Toradora Portable right now, and Taiga is great. I feel guilty for taking Ami’s route. Also, the “next generation tsundere” wears the collar, which can only be a plus.

P.S. Seyuu’s name is Shizuka Itou. Hmm… Darry. Perhaps Rie Kugimiya is refusing to be typecast anymore.

UPDATE: Zyl e-mailed:

Shizuka Itou – she has a pretty strong background in playing tsundere characters (non-loli, strong woman-types though) – most prominently, Hinagiku from Hayate no Gotoku. Also Shinra from KimiAru. Her tsundere CV is also probably why she was tapped to voice Tanya in Nodame.

A new typecast, eh? Well, as long as KugiRie is happy…

Also, someone twittered that the title is actually “Ookami-san to Shichinin no Nakamatachi”.

MEANWHILE, Sixten delivers. The premise is weird, but at least the story has to have an end since it’s a VN, right?

(+) Sixten, are you listening? I expect a preview shortly.

(*) I’m immensely pleased to read the title off the screencap. It is the title… right?

Quack in your boots, Crunchyroll

Friday, April 9th, 2010

In an update to the post about the streaming cancellations Calaggie points out that Manga Ent. puts the titles into several channels, and the material taken off Netflix remains available elsewhere (see You Must Survive of Gurren Lagann, for example). Naturally, rights owners will attempt to disintermediate Crunchyroll if only they think they can get away with it with regard to, say, exposure. As for Netflix, they probably fell victim to own greed.

Being oriented at the ownership, I’m not all that concerned about the maneuvering in the streaming space; its market impact is still dwarfed by the TV broadcasts anyway. But it’s funny.