Archive for the 'shingu' Category

Beta Waffle on Shingu

Wednesday, August 22nd, 2007

DiGiKerot didn’t jump on the bandwagon, because he was running in front of it, and so he attempts to inject the conventional wisdom into the discourse. Needless to say, I do not feel like agreeing, but he makes some good points (e.g. OP should have showed more characters), so RTWT.

Shingu and hubbub?

Thursday, August 23rd, 2007

BigN wrote (elsewhere) about “the hubbub about it [Shingu] these past couple of weeks”. With all due respect, this’s not hubbub. The hubbub is going to happen when Jason Miao sees the facial distortions.

I’ll be first to note that Nayuta is not doing what is known as “panteon class” distortions… but only because she’s not zoomed in when it happens. She is quite capable.

UPDATE: I forgot to mention, the (only) panty shot from Shingu haunts me. I understand that it was a joke, but man it was bad. I do not remember well, but wasn’t it caught on video and played over and over all across Tenmo?

The smooth-talkers

Monday, September 3rd, 2007

When I watched Shingu, I had an feeling that I’ve met Hajime before. On reflection I think that it comes to his ability to set things straight by talking to people. This might not be a real trope, but it’s something reasonably discrete (more so than “moe”, perhaps). The little theatrise below contain spoilers for Shingu, Mahoraba, Fruits Basket, and Hanaukyo Maid Team.

Hajime Murata is the archetype. His premise is a regular guy who gets to rub with magic users. He has no magical abilities of his own, so in order to be level with them he is awarded a special ability: smooth-talking his associates. As a result, they are sufficiently enthralled to let him into their inner circle, and so the adventures and whacky hijinks ensue. So, this is the basic formula. It allows to avoid the trope of the guy who suddenly pilots the mecha/ship/etc. without any training. For some reason the populus believes that it’s natural for such smooth-talking to be innate and accomplished without any training under the difficult conditions of extemporaneous communication; all the hero needs to do is be the nice himself and presto! everyone is charmed.

Toru Honda is essentially a girl Hajime, and so in addition to the power to smooth-talk she commands the power of girls. She gets to demonstrate her enormous skills at running the household and adhering to gender roles. She would be impressive even if she said as little as Kasumi Tendo. This obscures her smooth-talking talent, but it’s still quite present. When applying it, Toru often is a one-trick pony, trying the same approach of “let’s all get along” and big-eye charm even to utter assholes who by all rights should not be vulnerable. But it’s not quite as dire and she can be smarter than that if she wants to [citation needed — rewatch how she dealt with the little rabbit jerkface; other later relations?]. Maybe she’s just intellectually lazy (and lacks good sleep due to all the chores).

Ryuushi Shiratori is different in the way that he has to excercise his smooth-talking talents on manifestations of Kozue. That is the secret circle which accepts him, and the obvious circle of residents is slaved to it. They don’t even have any extraordinarily abilities; they are but keepers of the secret. The only exception to this is Tamami, and perhaps this is why Shiratori has to deal her and her alone such a crushing defeat with his golden tongue. The raw difficulty of the tasks in front of Hajime and Shiratori is about the same, that is to say, they are very hard. However, Hajime’s responsibility is greater, he cannot fall back on his drawing skills for support, and he does not permit others to mop the floor with him as much. This is why he is the archetype.

Taro Hanaukyo is different from everyone else on this list by virtue of possessing a proper authority. So, strictly speaking, he doesn’t have to be on top of the smooth-talking game. We saw plenty of effective leaders who weren’t as astute in this regard. However, he is good at it, which helps. As it was argued elsewhere, it’s likely that Taro is at least partially telepatic. Still, even if he relies on the additional information obtained telepatically, he has to talk overtly to his subordinates to win their trust and make them work smoothly as a unit, so he certainly belongs into the group anchored by Hajime.

Knitting

Thursday, September 27th, 2007

I think the creators might be sending a welcome message here; any girls watching the show should be paying attention.

To Heart: Akari

Shingu: Nayuta

Jokes aside, To Heart and Shingu leave the same sort of warm impression although their genesis, plot, and other attributes are drastically different. In one case it’s all about shagging your classmates, and in the other case it’s about the fate of the world, and yet…

Shingu and names

Sunday, December 9th, 2007

This is a very trivial observation, but all members of the Student Government, except Harumi Mineo, have the kanji character from “mamo-ru” (守る) in their family names (pronounced “mori” in this case): Moriyama, Moriguchi, Tsumori, Morihata. The only other person with “mamo/mori” is the head of Sanemori clan, Momoe.

Shingu second pass

Sunday, December 9th, 2007

Back when I encountered Shingu, I expressed a hope for better connection with it on the second pass. Unfortunately, it didn’t play out. I only see more animation errors (e.g. Hajime closes the door on the borrowed camera). One plot move became more dubious with the second take: when Moriyama carried out Harumi’s body out of the closed-off space, he should’ve not had the ability to do so. On the upside, the final explanation made more sense this time around. So, it was a wash. Enjoyable? Yes. Favourite? Hmm…

One good thing about Shingu is its consistent quality throughout. In Stellvia I do not rewatch anything between the end of the Great Mission and the beginning of the Genesis Mission. In Shingu, it’s all the same level and can be rewatched in sequence.