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	<title>アニ・ノート &#187; seiyuu</title>
	<atom:link href="http://ani-nouto.animeblogger.net/category/seiyuu/feed/" rel="self" type="application/rss+xml" />
	<link>http://ani-nouto.animeblogger.net</link>
	<description>Notes taken with a 0.7mm pencil.</description>
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		<title>On the wrong coast</title>
		<link>http://ani-nouto.animeblogger.net/2008/05/26/on-the-wrong-coast/</link>
		<comments>http://ani-nouto.animeblogger.net/2008/05/26/on-the-wrong-coast/#comments</comments>
		<pubDate>Tue, 27 May 2008 05:39:07 +0000</pubDate>
		<dc:creator>Author</dc:creator>
				<category><![CDATA[anime]]></category>
		<category><![CDATA[seiyuu]]></category>

		<guid isPermaLink="false">http://ani-nouto.animeblogger.net/2008/05/26/on-the-wrong-coast/</guid>
		<description><![CDATA[Omo reports from Kotono Mitsuishi&#8217;s panel. This is life.
When I started going to anime conventions, I found panels deadly boring and spent all my time in video rooms, making extensive notes. But over time I turned around and came to realize that the key is to hit the 10% of the Sturgeon&#8217;s law. I think [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.omonomono.com/2008/05/26/kotono-mitsuishi-focus-panel-animazement-2008/">Omo reports from Kotono Mitsuishi&#8217;s panel</a>. This is life.</p>
<p>When I started going to anime conventions, I found panels deadly boring and spent all my time in video rooms, making extensive notes. But over time I turned around and came to realize that the key is to hit the 10% of the Sturgeon&#8217;s law. I think it happened when I went to Yoko Ishida&#8217;s panel at AX.</p>
<p>Also, a panel with Rie Tanaka would be awesome too. A man should dream big.</p>
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		<title>Is seeing Rie Tanaka worth $100?</title>
		<link>http://ani-nouto.animeblogger.net/2008/09/23/is-seeing-rie-tanaka-worth-100/</link>
		<comments>http://ani-nouto.animeblogger.net/2008/09/23/is-seeing-rie-tanaka-worth-100/#comments</comments>
		<pubDate>Tue, 23 Sep 2008 16:06:30 +0000</pubDate>
		<dc:creator>Author</dc:creator>
				<category><![CDATA[meta]]></category>
		<category><![CDATA[seiyuu]]></category>

		<guid isPermaLink="false">http://ani-nouto.animeblogger.net/2008/09/23/is-seeing-rie-tanaka-worth-100/</guid>
		<description><![CDATA[I had no idea Mike of Anime Diet took it so seriously (via: apparently I misplaced my subscription to Anime Diet for some reason&#8230; hopefuly not a database corruption in the reader).
UPDATE: Seen in Omo&#8217;s comments:
Omo &#8211; the only reason Mike got a ticket was because I (Ray at Anime Diet) wanted a Tanaka Rie [...]]]></description>
			<content:encoded><![CDATA[<p>I had no idea Mike of Anime Diet <a href="http://animediet.net/announcements/anime-diet-new-york-anime-festival">took it so seriously</a> (<a href="http://www.omonomono.com/2008/09/22/new-york-anime-fest-whine/">via</a>: <small>apparently I misplaced my subscription to Anime Diet for some reason&#8230; hopefuly not a database corruption in the reader</small>).</p>
<p>UPDATE: Seen in Omo&#8217;s comments:</p>
<blockquote><p>Omo &#8211; the only reason Mike got a ticket was because I (Ray at Anime Diet) wanted a Tanaka Rie autograph (I love female seiyuus) and I paid Mike via Western Union (because I really am in Taiwan). Otherwise he’d not gotten the ticket at all. He never thanked me! Ghar.</p></blockquote>
<p>Also, Jeff answered the title of this post:</p>
<blockquote>
<p>YES.</p>
<p>Long answer: Because you get more than just a guaranteed autograph ticket. You also get a free con t-shirt, some random junk, a 10% discount on other NYAF merchandise sold by them, and lines cut. Considering the T-shirt is 15+tax by itself, that already cuts the differential down to $30. Even if you don’t take advantage of the other perks, that will save you hours of time. To me it’s a good deal.</p>
</blockquote>
<p>Duh.</p>
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		<title>Toradora no seyuu</title>
		<link>http://ani-nouto.animeblogger.net/2008/11/10/toradora-no-seyuu/</link>
		<comments>http://ani-nouto.animeblogger.net/2008/11/10/toradora-no-seyuu/#comments</comments>
		<pubDate>Tue, 11 Nov 2008 06:05:55 +0000</pubDate>
		<dc:creator>Author</dc:creator>
				<category><![CDATA[anime]]></category>
		<category><![CDATA[seiyuu]]></category>
		<category><![CDATA[toradora]]></category>

		<guid isPermaLink="false">http://ani-nouto.animeblogger.net/2008/11/10/toradora-no-seyuu/</guid>
		<description><![CDATA[I forgot to mention that Toradora features an all-star cast: Rie Kugimiya as Taiga (not sure what her best role is&#8230; of course many know her as Louise of ZnT, but I think her Futaba of Shingu was rather nicely done), Ai Nonaka (Mikan, Shippon), Rie Tanaka (I think she plays the intimidated teacher &#8212; [...]]]></description>
			<content:encoded><![CDATA[<p>I forgot to mention that <i>Toradora</i> features an all-star cast: <b>Rie Kugimiya</b> as Taiga (not sure what her best role is&#8230; of course many know her as Louise of ZnT, but I think her Futaba of <i>Shingu</i> was rather nicely done), Ai Nonaka (Mikan, Shippon), <b>Rie Tanaka</b> (I <i>think</i> she plays the intimidated teacher &#8212; a rather minor role, strangely), and <b>Yui Horie</b> (goes as far back as Multi in <i>To Heart</i>). The all-important role of Ami is given to Eri Kitamura, about whom I know exactly nothing, but she seems to do very well. I do not believe for one second that such a constellation could be produced by random auditions. It must be by design, although to what end I cannot tell. I&#8217;m not very seyuu oriented.</p>
<p>P.S. I find it strange that the premier seyuu blogs, <a href="http://atemonai.com/blog/">j1m0ne</a> and <a href="http://hashihime.blogspot.com/2008/10/first-week-favorites-kannagi-ef.html">Hashi-hime</a> ignored the Toradora&#8217;s cast as a whole, with the latter merely observing that Rie Kugimiya gets typecast.</p>
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		<title>Sekirei Sound Stage</title>
		<link>http://ani-nouto.animeblogger.net/2008/11/28/sekirei-sound-stage/</link>
		<comments>http://ani-nouto.animeblogger.net/2008/11/28/sekirei-sound-stage/#comments</comments>
		<pubDate>Fri, 28 Nov 2008 18:20:26 +0000</pubDate>
		<dc:creator>Author</dc:creator>
				<category><![CDATA[seiyuu]]></category>
		<category><![CDATA[sekirei]]></category>

		<guid isPermaLink="false">http://ani-nouto.animeblogger.net/2008/11/28/sekirei-sound-stage/</guid>
		<description><![CDATA[Speaking of seyuu, I came to appreciate Marina Inoue (BTW, &#8220;Marina&#8221; has a kanji spelling: 麻里奈), because I&#8217;m listening to Sekirei Sound Stage 01. The SSS is a so-called &#8220;Drama CD&#8221;. It reminds me of radio adaptations of my youth: seyuu play out the dialogue, instead of everything being read by a narrator, as in [...]]]></description>
			<content:encoded><![CDATA[<p>Speaking of seyuu, I came to appreciate <a href="http://www.animenewsnetwork.com/encyclopedia/people.php?id=20999">Marina Inoue</a> (BTW, &#8220;Marina&#8221; has a kanji spelling: 麻里奈), because I&#8217;m listening to <i>Sekirei Sound Stage <a href="http://www.cdjapan.co.jp/detailview.html?KEY=KICA-931">01</a></i>. The SSS is a so-called &#8220;Drama CD&#8221;. It reminds me of radio adaptations of my youth: seyuu play out the dialogue, instead of everything being read by a narrator, as in an audiobook. Naturally, the voicework takes on a bigger significance without visuals, and Marina Inoue makes a good account of herself as Squirtle&#8230; er, Tsukiumi. Her other role was Yoko in <i>Gurren Lagann</i>.</p>
<p>Curiously, even J.P.Meyer <a href="https://twitter.com/jpmeyer/status/1025589305">asked</a> if listening to SSS makes sense, since <i>Sekirei</i> is presumably about big breasts. The &#8220;even&#8221; part comes from this idea being simple enough to pop into minds of <a href="http://ofthewired.com/?p=14">juvenile friends of Lolikit[sune]</a>. I expected more from J.P. and, I admit, my first temptation was to ask him to stop thinking with his penis. But then I remembered how much <a href="http://chizumatic.mee.nu/divergence_eve_--_books_and_covers">effort</a> SDB spent on evangelizing <i>Divergence Eve</i>. <i>Sekirei</i> is even a tougher case: the creators of anime clearly wanted the fanservice to shine&#8230; and then the DVDs came out <a href="http://ani-nouto.animeblogger.net/2008/10/22/sekirei-dvd-vs-tv/">uncensored</a>. The story is also not very large in its scope, so it&#8217;s a little wonder J.P.&#8217;s thought process ran in the obvious track.</p>
<p>The story in SSS is different in details from the anime. For example, the whole initial capture arc is bypassed, but then we&#8217;re treated to additional scenes: Kuu and Uzume working in the yard, or the cliche of Minato evesdropping on his &#8220;wives&#8221; (Kuu calls them &#8220;あれのつまたち&#8221;) when they discuss him.</p>
<p>One thing I rue now is how Japanese are serious about their limited releases. Aside from SSS, <i>Sekirei</i> also had a &#8220;normal&#8221; Drama CD (which is bit confusing, since I think SSS is a typical Drama CD), but it&#8217;s <a href="http://www.cdjapan.co.jp/detailview.html?KEY=FCCC-66">sold out</a>.</p>
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		<title>Zyl on Aya Hirano</title>
		<link>http://ani-nouto.animeblogger.net/2009/03/01/zyl-on-aya-hirano/</link>
		<comments>http://ani-nouto.animeblogger.net/2009/03/01/zyl-on-aya-hirano/#comments</comments>
		<pubDate>Mon, 02 Mar 2009 04:06:12 +0000</pubDate>
		<dc:creator>Author</dc:creator>
				<category><![CDATA[seiyuu]]></category>

		<guid isPermaLink="false">http://ani-nouto.animeblogger.net/?p=1741</guid>
		<description><![CDATA[Hand of Glory:
I&#8217;m not a fan of Aya Hirano. While I think she&#8217;s talented, I&#8217;m just not swept away by her voice acting the way I am by, say, Shizu-sama or Maaya Sakamoto. That said, I have enjoyed her work as Haruhi Suzumiya (megalomania &#9829;) and Shizu Shidou (Ijimekko~~) but, to date, my Top Favourite [...]]]></description>
			<content:encoded><![CDATA[<p><b><a href="http://hontouni.com/souomou/2009/02/28/the-talent-of-aya-hirano">Hand of Glory</a></b>:</p>
<blockquote><p>I&#8217;m not a fan of Aya Hirano. While I think she&#8217;s <a href="http://kurogane.animeblogger.net/2006/07/04/aya-hirano-on-heyheyhey/">talented</a>, I&#8217;m just not swept away by her voice acting the way I am by, say, Shizu-sama or Maaya Sakamoto. That said, I have enjoyed her work as Haruhi Suzumiya (megalomania &hearts;) and <a href="http://www.seaslugteam.com/archives/2009/02/18/maria-holic-06/">Shizu Shidou</a> (<a href="http://kurogane.animeblogger.net/2009/02/09/mariaholic-06/">Ijimekko</a>~~) but, to date, my Top Favourite Aya Hirano role has to be Konata where she really made the role her own, conveying the chara&#8217;s distinctive blend of otaku passion, family/friendship love power and :3 </p>
</blockquote>
<p>Not that I agree, or even know anything about Aya, just wanted to preserve it.</p>
<p>My own understanding of seyuu is about nil. I fondly remember Mitsuishi Kotono. Rie Tanaka always impressed me with her professionalism and enormous range. She&#8217;s still in business, recently playing Lt.Col. Wilcke in <i>Strike Witches</i>. Also, I remember a couple of &#8220;one role&#8221; seyuu, whom I probably would not recognize again: Marina Inoue as Tsukiumi in <i>Sekirei</i>, and Natsumi Yanase as Chihiro in <i>ef</i> (I understand that Mrs. Inoue is quite well known, just not by me). Currently I keep meaning to look up who plays Sumire in <i>Toradora</i> &mdash; it&#8217;s another distinctive performance. Aya though? I remember Konata but not Mrs. Hirano.</p>
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		<title>Busy Rie Kugimiya</title>
		<link>http://ani-nouto.animeblogger.net/2009/09/16/busy-rie-kugimiya/</link>
		<comments>http://ani-nouto.animeblogger.net/2009/09/16/busy-rie-kugimiya/#comments</comments>
		<pubDate>Wed, 16 Sep 2009 18:08:07 +0000</pubDate>
		<dc:creator>Author</dc:creator>
				<category><![CDATA[seiyuu]]></category>

		<guid isPermaLink="false">http://ani-nouto.animeblogger.net/?p=3182</guid>
		<description><![CDATA[According to Hashi-hime&#8217;s preview, Rie Kugimiya partakes in five productions of Autumn 2009: Fairy Tail, Hidamari x365 OVA and *** (Hoshimitsu), Shana S, an extension of QB, and sequel to Nogizaka. I remember times when Rie Tanaka doing two roles in one season (Chii and Yomi) was remarkable. I wonder if it&#8217;s a rat race [...]]]></description>
			<content:encoded><![CDATA[<p>According to Hashi-hime&#8217;s <a href="http://hashihime.blogspot.com/2009/09/57-fall-anime-story-staff-cast-trailer.html">preview</a>, <b>Rie Kugimiya</b> partakes in five productions of Autumn 2009: <i>Fairy Tail</i>, <i>Hidamari x365</i> OVA and <i>*** (Hoshimitsu)</i>, <i>Shana S</i>, an extension of <i>QB</i>, and sequel to <i>Nogizaka</i>. I remember times when Rie Tanaka doing two roles in one season (Chii and Yomi) was remarkable. I wonder if it&#8217;s a rat race these days.</p>
<p>UPDATE: Just noticed that <a href="http://www.animenewsnetwork.com/encyclopedia/people.php?id=17254">Ami Koshimizu</a> is in four series (at least) this season: <i>Umineko</i>, <i>Manimani</i>, <i>Saki</i> (as Nodoka, still running), <i>GA:GADC</i> (as Mizubuchi). When did this shift to multitasking happen?</p>
<p>UPDATE: JPMeyer <a href="https://twitter.com/jpmeyer/status/4035183766">reminds</a> that Rie Kugimiya is also in <i>FMA Brotherhood</i>. I think it continues into the Autumn.</p>
<p>UPDATE: <a href="http://matthew.dasaku.net/">Sagematt</a> says <i>Umineko</i> continues into the Autumn as well. So, <i>seven</i> roles now?!</p>
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		<title>Megumi Nakajima and me</title>
		<link>http://ani-nouto.animeblogger.net/2009/11/11/megumi-nakajima-and-me/</link>
		<comments>http://ani-nouto.animeblogger.net/2009/11/11/megumi-nakajima-and-me/#comments</comments>
		<pubDate>Thu, 12 Nov 2009 06:12:40 +0000</pubDate>
		<dc:creator>Author</dc:creator>
				<category><![CDATA[kampfer]]></category>
		<category><![CDATA[seiyuu]]></category>

		<guid isPermaLink="false">http://ani-nouto.animeblogger.net/?p=3790</guid>
		<description><![CDATA[I pirated the recently published album of Kampfer&#8217;s ED remix, in secret, since I only do it for sampling purposes&#8230; It&#8217;s not like I&#8217;m a fan enough to buy R2s. Oh wait, who am I kidding? Anyhow, a post at Transientem made me leave the closet because of the following pronouncement:
 Megumi Nakajima could be [...]]]></description>
			<content:encoded><![CDATA[<p>I pirated the recently published album of <i>Kampfer</i>&#8217;s ED remix, in secret, since I only do it for sampling purposes&#8230; It&#8217;s not like I&#8217;m a fan enough to buy R2s. Oh wait, who am I kidding? Anyhow, <a href="http://in-trans.appspot.com/entry/version-f-dot-zero">a post at Transientem</a> made me leave the closet because of the following pronouncement:</p>
<blockquote><p> Megumi Nakajima could be the next Maaya Sakamoto. </p></blockquote>
<p>Surprisingly, I know who Miss Nakajima is: she has beaten every fan&#8217;s idol May&#8217;n fair and square in <i>Macross Frontier</i> soundtrack, and <a href="http://ani-nouto.animeblogger.net/2009/05/15/hinano-on-megumi-nakajima/">confused Hinano</a>. But alas, <i>Kampfer ED Single</i> sounded kind of flat to me. It&#8217;s suitably perky and poppy, but it has no standalone power that I crave. Oh well, better luck next time.</p>
<p>BTW, her partner in the ED is Marina Inoue, who I also know (mostly because I was surprised to find that &#8220;Marina&#8221; was a Japanese name). <a href="http://www.animenewsnetwork.com/encyclopedia/anime.php?id=10861"><i>Kampfer</i></a> has a stong cast overall, but singing without video is a different matter.</p>
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