Eromanga-sensei begins

April 14th, 2017 by Author

The opening episode was everything I wanted, and more. The production values are amazing. The character design is an excellent riff on the manga, animation beats Lucky*Star, attention to detail is everywheere. No obnoxious 3D! Remember the terrible fingers of iM@S? Much improved and pushed to the off-focus areas. Good job, A-1.

The production is helmed by Ryohei Tekeshita, who is not a suprstar director, but has distinguished himself well, helping with New Game and Nozaki-kun. He decided to add some foreshadowing, so we get glances at Elf Yamada (my favourite in the manga, if not LN) and Muramasa Senjuu. Elf might be just a tad too bouncy and impertinent in the anime, which is worrying. Just recall what they’ve done to Yukiho in Idolmaster TV. Senjuu didn’t distinguish herself in her 1 second of screen time, there was no omnious aura. But with her being there, I expect the anime run through the competition arc. We may even get a proper ending.

P.S. The Japanese in this show is easy to understand, so far.

UPDATE: Draggle:

Despite the terrible subject matter, this was a pretty strong first episode. It did a good job setting things up, establishing both siblings’ characters, and kept my interest.

So, yeah, I’m surprised, but I actually liked this. Somewhat looking forward to the rest.

Peter S.:

But the show itself goes light on the ero stuff and focuses instead on Izumi and Sagiri’s relationship, siblings not by blood, living under the same roof, having a shared interest, but Sagiri is too shy and traumatized by her past to truly open up. … If they continue with this path, with a little eromanga silliness mixed in, this could be a nice little series.

Zane for Rabujoy:

… I really admired the way Sagiri’s condition is portrayed. She’s not slob; her room is neat and tidy, and there’s no denying she’s an immensely gifted artist, especially considering her age. She just … can’t leave her room … We all process grief in different ways, she did so by shutting herself off from the world that took her mom away.

UPDATE:

Omo caught up, with the seiyuu-centered twist:

The light-hearted take on this is that, when Ibuchan was a wee little girl, did she (or her guardians, perhaps more importantly) imagine that she would be voicing a precocious light novel character (the type she’s been quite adept at playing) and saying “girls like dicks” on TV, in a distant day in the future? I mean, the bigger question that some of us have already made peace with is, why do eroge seiyuu exist?

When I saw the anime rendition of Megumi, I thought that she really needed a good punch in the face. Bad memories of Iroha from SNAFU. But observe that professionals playing these characters play them regardless.