This was mentioned to me as a series to watch by a Japanese colleague acclaimed for his technical capability. What can I say... It's furries in 3D.
The "3D" in Kemono Friends is interesting enough. It's not a straight-up 3D where you create a model with physics and kinematics and …
read more
Okay, a quick opener here.
1. Everyone go read Evirus. (spoilers: "To me, it is openly racist to presume dullahans are presumptively inadequate or compromised compared to humans."
2. That said, I think a dullahan is a poorly thought-out concept that requires too much magic to function - Macchi breaths and …
read more
The biggest problem with Gabriel Dropout is how unfunny it is. The skits are impossibly long for very meager payoff, if any. This became painfully apparent back in the segment of ep.2, where a classmate overhears Gabriel and Vignette discussing their angel and demon things, lacks the context, and …
read more
The PV1 is out and available at Nico-nico. Technically it's also on YouTube, but some idiot region-locked it to Japan.
The animation is done by A-1, and it does look exactly like OreImo redux, as it should.
read moreIn the Thin Slicing post:
read more[...] Unfortunately, that’s where the similarities between [Amagami and Seiren] ended. One, Seiren has some god awful character designs and animation. The heroines all share similar faces and body types, so it is very difficult to tell them apart. The poor animation and lack of …
If Tappan is to be believed, Kuzu no Honkai seems like possibly an interesting school romance anime. Also, "By the standards of anime TV the sexual content is rather graphic." The problem is, it's on Amazon, and I hate that platform so much. Never works right for me, and I …
read moreThe Verdict: Fantasy tropes aside, GranBlue‘s structure is terrible. Scenes are interminably long, often featuring characters standing around expositioning content we know or are smart enough to infer.
Hopefuly it's just the Curse of the Gifted or he's a massive autist. But he may be right. Except …
read more
